Diana Burgoyne's current work has evolved from her performance art practice. For this exhibition, she built drawing surfaces using paper, sensor circuits and copper wire. These framed, blank papers are installed directly onto the gallery walls, and visitors are invited to "draw" on them using graphite pencils. Depending on the drawing action, an electronic circuit imbedded in the paper can be completed. The quality of the drawings directly controls the sound frequency. The ongoing manipulation of the artwork (additional drawing and erasure) affects the nature of the sound. One can compose the soundscape in the Gallery, as one composes the drawing.

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